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Copyright estate of the artist | | | Lissitzky, Lazar El (1890 - 1941) Russia
Proun Study 1A (Proun S. K.) the Bridge, 1919
Pencil and Gouache on paper; 15 x 19.5 cm Constructivism
UID 102-340
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Biography
Russian architect, draughtsman, painter, illustrator, designer, photographer, teacher and theorist, Lissitzky studied Architecture and Engineering at the Technische Hochschule in Darmstadt. In 1912, he exhibited for the first time at the Artists Union in St Petersburg and, later, with the World of Art and Jack of Diamonds groups. Architecture and some Jewish themes were often the inspiration behind his work. The 1917 Russian Revolution, involved the artist in the Soviet attempts to create an art which could be adapted to communism and, two years later, Lissitzky moved to Vitbsk to work with Chagall and become professor of Graphic Arts and Architecture. Influenced by the Suprematism of Malevich, he was converted to its systematic and geometrical procedures, which changed his attitude to artistic production forever. He worked with the Suprematist group, Unovis and, in 1921, his moving to Moscow coincided with the emergence of Constructivism. His numerous trips to Western Europe enabled him to come into contact with various artists, namely Hans Arp, Kurt Schwitters and Man Ray, among others, as well as the De Stijl group. He worked on various periodicals of the time but his major projects were the designing of exhibitions for which he showed tremendous innovative capacity. Lissitzky was also a furniture designer and, in general, his whole production is characterised by extensive planning and perfect execution. It was Kurt Schwitters who introduced Lissitzky in 1922 to the Kestner Gessellschaft in Hannover. This society, founded on 10 June 1916, played an important part infostering the most important representatives of the new art. Sophie Küppers, the former artistic director’s widow (who later became Lissitzky’s wife), was fascinated by his works and decided to organize his first solo exhibition at the Kestner for the end of 1922 and beginning of 1923. Being such a great success, the directors commissioned the artist to execute a portfolio of lithographs as a new year’s gift for the members of the society. This particularly fine portfolio contains six lithographs in colours, a title page and the portfolio cover. It typifies Lissitzky’s work from the Proun period during the years 1919-1924 and concentrates on his spatial experiments. The lithographs were part of his first Proun.room that he designed for the Great Berlin Art Exhibition in 1923. This room was non-objective in design and was used to exhibit non-objective paintings and sculptures. Lissitzky arranged his relief-constructions-Prouns- in such a way that they guided the visitor’s eye around the room. The first Kestner portfolio is one of the most important testaments to the Constructivism in Germany.
Exhibitions
Lazar El Lissitzky Kunsthalle (Bern), Switzerland 21-02-1959 ~ 29-03-1959
Lazar El Lissitzky (Hanover) Sprengel Museum, Germany 24-01-1988 ~ 10-04-1988
Lazar El Lissitzky Stedelijk van Abbemuseum, The Netherlands 03-12-1965 ~ 16-01-1966
Lazar El Lissitzky The Solomon R. Guggenheim Museum of Art, USA 25-09-1992 ~ 15-12-1992
Lazar El Lissitzky Grosvenor Gallery, United Kingdom 01-01-1966 ~ 31-12-1966
Lazar El Lissitzky The Museum of Modern Art (MOMA, NY), USA 12-06-1977 ~ 10-07-1977
Lazar El Lissitzky Grosvenor Gallery, United Kingdom 01-01-1968 ~ 30-12-1968
Here and Now: On Minimal Art in The Berardo Collection Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Portugal 18-10-2003 ~ 22-02-2004
The Berardo Collection - A Voyage through the 20th Century Sintra Museu de Arte Moderna - Colecção Berardo (SMAM-CB), Portugal 04-12-2004 ~ 30-04-2005
Building/Unbuilding/Inhabit - works of The Berardo Collection Centro Cultural de Belém (CCB), Portugal 29-04-2005 ~ 15-01-2006
Lazar El Lissitzky (Cornell University) Andrew Dickson White Museum of Art, 24-02-1971 ~ 25-03-1971
Sin Título (el arte del siglo XX en la Colección Berardo) Fundación Pedro Barrié de la Maza, Spain 29-06-2006 ~ 26-11-2006
Colecção Berardo Collection 1917-1999 Centro Cultural de Belém (CCB), Portugal 27-01-2000 ~ 27-08-2000
Arriscar o Real Museu Colecção Berardo, Portugal 08-06-2009 ~ 30-09-2009
Fragmentos Arte Contemporânea na Colecção Berardo MACE, Museu de Arte Contemporânea de Elvas, Portugal 24-09-2010 ~ 23-01-2011
Observers Museu Colecção Berardo, Portugal 14-02-2011 ~ 29-05-2011
Bibliography
Here and Now: On Minimal Art in The Berardo Collection, 2003 Published by Sintra Museu de Arte Moderna - Colecção Berardo ISBN 972990300X
Colecção Berardo Collection 1917-1999, 2000 Published by CCB - Centro Cultural de Belém ISBN 972817652X
Sin Título (el arte del siglo XX en la Colección Berardo), 2006 Published by Fundación Pedro Barrié de la Maza ISBN 8495892529
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